I have been working professionally as a choreographer, performer, dramaturgical assistant, and pedagogue since 2013. My journey began at the age of fourteen, when I discovered breaking and immersed myself in hip-hop culture, exploring a wide range of urban dance styles. In 2011, I moved to Germany, where I encountered contemporary dance, performance, and physical theatre, forms that helped me develop a hybrid artistic language. I later studied dramaturgy and directing at the Institut del Teatre in Barcelona.

In 2013, I co-founded the collective Frantics in Berlin, where I continue to work as co-choreographer, performer, and dramaturgical assistant. Since 2014, I have collaborated with various institutions and companies, including Theater Strahl (Berlin), Hungry Sharks (Vienna), and Theater Bonn, performing in operas directed by Laura Scozzi. I have also worked with Theater Bremen, sharing productions with Helder Seabra, Samir Akika, and Hodworks, as well as with Staatstheater Kassel under Johannes Wieland. Additionally, I collaborated with Stadttheater Gießen as rehearsal director and choreographic assistant to Ursina Tossi for the production Ghosts, and I am currently involved in her new creation E(R)DEN as dramaturge, with an upcoming premiere at Kampnagel Hamburg.

My creations and co-creations include Last (Tanztage 2016 at Sophiensaele Berlin), Dis.Order (2021, respaldado por NPN), y Dust & Recuerdos (2024, supported by Kanton St. Gallen). My works have received multiple awards, including: One’s (awarded at the 31st Hannover International Choreographic Competition), Space (1st Prize at BUNY 2020, 2nd Prize at the 34th Hannover Competition, and award-winner at Machol Shalem 2022), and Past Memories (awarded at the 37th Certamen Coreográfico de Madrid, 2023).

Alongside my creative practice, I developed Dramaturgical Body, my own pedagogical approach, through which I have led research workshops in bachelor’s and master’s programs across Europe, as well as in countries in Asia and Africa. I also work actively as a choreographic and dramaturgical assistant for other creators, and I mentor groups, companies, and individual artistic processes (1:1).