Denial
Direction, dramaturgy, and concept: Diego de la Rosa | Costume design: Julia Vargas | Music: Music: Max Richter, Hildur Gudnadottir & Gsaffelstein | Performance: Dart Studios Co. | Video and photography: Pol.
Synopsis
Death is an undeniable fact, yet many struggle to accept it, despite its profound impact on our lives and choices. In The Denial of Death, one of the greatest intellectual works of the 20th century, Ernest Becker explores this reality. Written on his deathbed after a colon cancer diagnosis, the book presents two key ideas.
First, humans are unique in their ability to imagine, reflect, and anticipate the future, leading to an awareness of inevitable death. This existential fear shapes our thoughts and actions. Second, to cope with mortality, people seek to leave a lasting legacy—what Becker calls the “immortality project.” Throughout history, individuals have pursued this through monuments, art, literature, and achievements, shaping civilization itself.
However, the drive for immortality has a dark side. On a large scale, it has fueled wars, revolutions, and destruction, as seen in the world wars. On a personal level, failure to achieve a lasting legacy can lead to anxiety and depression. Ultimately, our struggle with mortality defines much of human ambition—for better or worse.
This work is a commission for the Dart Studios in Berlin (Dance Education) offered by Dart. Also supported by Pfefferberg Theater and Uferstudios.